SHOULD I GET KEYSHOT FOR ZBRUSH HOW TO
SHOULD I GET KEYSHOT FOR ZBRUSH ARCHIVE
SHOULD I GET KEYSHOT FOR ZBRUSH SOFTWARE
SHOULD I GET KEYSHOT FOR ZBRUSH PROFESSIONAL

I’ll set up a couple different cameras, usually a front 3/4, back 3/4, and any areas that need clarification before moving into texturing. I go a step further and will also start blocking out camera angles for rendering later. I do this to keep the lighting neutral, which allows me to see the true colors of the materials and non-distracting reflection from an environmental HDR. I think it’s important to note that I use a studio HDR. This is going to be the overall foundation for my texturing. That’s when I start exploring colors and materials before texturing. Upon finishing the modeling, UVing, and assigning material IDs, I’ll use the Maya plugin to send my project over to KeyShot. There are several ways I like to use KeyShot in my process.

SHOULD I GET KEYSHOT FOR ZBRUSH SOFTWARE

However, I will use whatever software it takes for me to tell my stories through modeling. I would say the main reason why Maya is my primary modeling software, is that I believe it is the most used for modeling in the industry. Using it for that long has allowed me to refine my workflow and increase the speed and quality of my modeling. What is your primary 3D modeling software? This helps me build my confidence, speeds up my workflow, and keeps me hyper-focused on my end goal. All of this happens before I even get into the actual creation process.

If I’m texturing, I break down the textures and their properties. If I’m modeling, I break things down to basic shapes and think about topology. I spend a lot of time here, studying the images and mentally prepping myself. I feel this organization helps me stay focused.

SHOULD I GET KEYSHOT FOR ZBRUSH ARCHIVE

So I will narrow down the images and archive the ones that don’t feel right. We’ve all been there–you start looking for a reference image and two hours later you are watching cat videos on YouTube. I do this to reduce the chance of needing to do an internet search while working on the project. Once that story is decided, I start by collecting reference images (usually way too many). There is so much that can be told in our work–new or old, clean or dirty, the characters, the environment–just to name a few. I believe that it is our job as the artist to tell that story, no matter what area of CG it is. If anything is unique about my approach to a project, it is my belief that everything should tell a story. What is unique about your approach to a project? Some other highlights are working at Nickelodeon as a character modeler, at Disney on Big Hero 6 and Moana with the environment team, at Paramount as a Visual Development Artist, as a Modeling Supervisor at Sunrise Production in South Africa, and most recently as a CG Artist at Apple. One of the biggest highlights was my first job in the industry–character modeler working Iron Man 2 at Legacy Effects. As for highlights of my career, I would say I’ve not had a “normal” career path.

SHOULD I GET KEYSHOT FOR ZBRUSH PROFESSIONAL

I knew I had to at least try, try to be what I felt I was supposed to be… a professional artist. Having grown up loving art and winning ‘Most Outstanding Artist’ in High School, I felt like I had given up on that dream. I was in Kuwait and there was a moment of clarity and self-conviction. The biggest turning point in my career was when I made the decision to leave the military after nine years to pursue my dreams of becoming an artist. What was the turning point in your career? I continued finding my way through the landscape of CG until I knew that modeling and texturing is where I could get lost and spend countless hours. I wanted to make things more realistic and to make things more believable. I made the most of what the program had to offer. I was amazed by the lighting, the reflections, the ability to create characters and props with, literally, primitive shapes. It was by chance that I stumbled upon a very primitive 3D software that sparked and ignited my interest in 3D. I knew there had to be something else out there for me. Though I did end up with a couple fun soap sculpts, this was a short-lived time in my journey as a traditional sculptor. It wasn’t long before I was the cleanest, best smelling person I knew. My thought was if the sculpt turns out horribly, I could always use it in the shower. So, I went to the next best thing–a pocket knife and bar of soap. The reality of pounding and chipping away at a large rock just did not seem to be the best approach for a beginner. My mind quickly went to the classic artists and the thought came to me that I needed a hammer and chisel.

SHOULD I GET KEYSHOT FOR ZBRUSH HOW TO

I felt a bit lost how to make that happen. In my pursuit of finding my creative outlet, I was drawn to sculpting.

What sparked your interest in becoming a Model/Texture Artist?

Should i get keyshot for zbrush